An Even Better Spider-Man? You’ll Find Him “Across the Spider-Verse”

An Even Better Spider-Man? You’ll Find Him “Across the Spider-Verse”

In 1977, Star Wars came out and changed so much about the way that we not only watched, but thought of movies. We were thrilled by a great story (even if it was borrowed from an old Kurosawa movie) and by immediately intriguing characters. But the thing that truly dazzled us were the special effects. We saw things on screen that we never dreamed we would see in such a believable way. And, of course, it became the biggest movie of all time. Then, in 1980, The Empire Strikes Back came out. While the technical achievements were still breathtaking, what made Empire at least the equal of Star Wars, if not superior, was the emotional depth of the story. The deepening of Han and Luke’s friendship, the burgeoning relationship with Han and Leia, the show-stopping reveal of the relationship between Luke and Darth Vader–all of this gave us the same things we loved about the first movie, but raised emotional stakes that not only thrilled us, but touched us. And that’s what truly great second chapters in cinema stories do: they build on an incredible first act and take us deeper into that universe’s heart through the heart of its characters.

By this standard, Spider-Man: Across the Spider-Verse is a truly great second chapter of a cinema story. Like Star Wars, Spider-Man: Into the Spider-Verse thrilled us on a previously unimagined technical level. While comic-book stories coming to life has been the lifeblood of the movie business for over a decade now, the feeling of actual comic books coming to life was just out of reach until Into the Spider-Verse re-established what animation could look like and feel like…at least on the visceral level. The Miles Morales as Spider-Man origin story–with numerous other Spideys along for the fight–instantaneously became one of the greatest animated films of all time. And then, by keeping the same creative flair but injecting a lot more emotional stakes, Across the Spider-Verse did what Empire did for Star Wars decades ago (or what The Godfather, Part II did a little earlier or what Terminator 2: Judgment Day did a little later): it made it even better.

(Fair warning: mild spoilers will follow).

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The Top 10 Films of 2022 – #6 – “Nope”

The Top 10 Films of 2022 – #6 – “Nope”

Jordan Peele is the new master of horror as cultural commentary. 2017’s Get Out is so highly regarded that it made the Sight and Sound Top 100 Best Films of All Time list this year. So, when Nope came out this summer, so did the think pieces of what big message Peele was trying to make. And he made a lot of them. Combining sci-fi and horror with a throwback to old UFO movies, Peele’s third film is a critique of such things as Hollywood and its treatment of minorities, the quest for fame and the predatory nature it unleashes, and man’s attempt to tame the natural world for his own ends. But, in addition to its many messages, Nope also works as one fantastically entertaining summer popcorn flick.

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